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REVIEWS
Showpony (at The Victory Theatre Center)
“Sam (a hilariously grand performance by Lizzy Kimball) is a gruff, foul-mouthed raging feminist and lesbian who delights in 'stirring things up'.”
- StageRAW, Lovell Estell III
“In an unforgettably high energy performance, Lizzy Kimball as Sam is a LAUGH A MINUTE joy to behold!”
-Tolucan Times, Pat Taylor
Red Speedo (at The Road Theatre)
"Last but not least, Lizzy Kimball follows her deliciously trippy Shirley in Through The Eye Of A Needle with a 180-degree turn as Lydia, quirky, edgy, and wounded, and still, heaven help her, hopelessly in love."
-Steven Stanley, Stage Scene LA
The Dance of Death (at The Odyssey)
"Lizzy Kimball captivatingly dominates with her role of the trapped, unloved(?) wife; now more caretaker, cook, and maid to Edgar. Kimball manages to earn audience empathy while seductively stirring up Kurt's long dormant lust for her Alice."
"The dynamics of Kimball's Alice foreplay with LeBeau's Kurt's so fascinating to experience."
-Gil Kaan, Broadway World
"Lizzy Kimball is engaged and engaging as Alice, subtly revealing Alice’s thoughts and plans and yet never letting us completely in on the play’s mysteries. So we begin to focus on Kimball in hopes of a hint, to follow her thoughts, to try to absorb what Strindberg is telling us."
-Dany Margolies, Daily News
Bill W. & Dr. Bob
"Rounding out the female cast was Elizabeth Kimball, whom played a variety of female characters. This is not always an easy task, as I have seen actors regurgitate the same mannerisms and characterizations and expect the audience to do the work of pretending they are unique characters. Elizabeth, however, knew what she was doing. She was like a surgeon, carving out specific characters with varied physicalities, coping mechanisms and vices. Her accents changed, but it went beyond that. Her cadence and breath changed giving her the ability to flesh out the show with human characters and not stereotypes. Not only could she do the work of five actors, she made them relatable and real. I felt each one’s emotional journey. The first moment I truly understood her uncanny ability was when she played Henrietta. I found myself watching her face as others were speaking. Her subtle eye movements, facial changes and tiny lip quiver made me feel she was there with the characters. She was listening to them and they were affecting her. I felt her goodness and her faith. I found myself wanting her to feel the same for me, to look at me and understand me the way she understood Dr. Bob. It was magic."
-NoHo Arts District, Samantha Simmonds-Ronceros
"In the challenging position of playing ALL of the other characters, as “Man” and “Woman,” Jack Noonan and Elizabeth Kimball are BEYOND AMAZING!"
-Tolucan Times, Pat Taylor
Betrayal
Of the three leads Kimball performs best, successfully projecting a torn and anxious woman unhappy with her life.
-Stage Raw, Deborah Klugman
Seatbelts Required
The play showcases LA natives, Cynthia Manous (Agnes); Elizabeth Kimball (Janet); and Chelsea Pitillo (Maggie), highly talented actresses with natural chemistry, remarkable range of emotion, and the inherent ability to share the message of how truly precious life is. Quite a powerful performance!
-Tolucan Times, Bonnie Priever
Sylvia
Director Marc Murai takes the work of his extremely talented cast and weaves it around the story with slapstick stealth and pace, allowing Elizabeth Kimball in the title role to show off her astounding physical and vocal comedic skills. She dances and anthropomorphic fine line, making Sylvia the kind of gal that every good dog should be.
-The Tribune, Mark McDougal
Showpony (at The Victory Theatre Center)
“Sam (a hilariously grand performance by Lizzy Kimball) is a gruff, foul-mouthed raging feminist and lesbian who delights in 'stirring things up'.”
- StageRAW, Lovell Estell III
“In an unforgettably high energy performance, Lizzy Kimball as Sam is a LAUGH A MINUTE joy to behold!”
-Tolucan Times, Pat Taylor
Red Speedo (at The Road Theatre)
"Last but not least, Lizzy Kimball follows her deliciously trippy Shirley in Through The Eye Of A Needle with a 180-degree turn as Lydia, quirky, edgy, and wounded, and still, heaven help her, hopelessly in love."
-Steven Stanley, Stage Scene LA
The Dance of Death (at The Odyssey)
"Lizzy Kimball captivatingly dominates with her role of the trapped, unloved(?) wife; now more caretaker, cook, and maid to Edgar. Kimball manages to earn audience empathy while seductively stirring up Kurt's long dormant lust for her Alice."
"The dynamics of Kimball's Alice foreplay with LeBeau's Kurt's so fascinating to experience."
-Gil Kaan, Broadway World
"Lizzy Kimball is engaged and engaging as Alice, subtly revealing Alice’s thoughts and plans and yet never letting us completely in on the play’s mysteries. So we begin to focus on Kimball in hopes of a hint, to follow her thoughts, to try to absorb what Strindberg is telling us."
-Dany Margolies, Daily News
Bill W. & Dr. Bob
"Rounding out the female cast was Elizabeth Kimball, whom played a variety of female characters. This is not always an easy task, as I have seen actors regurgitate the same mannerisms and characterizations and expect the audience to do the work of pretending they are unique characters. Elizabeth, however, knew what she was doing. She was like a surgeon, carving out specific characters with varied physicalities, coping mechanisms and vices. Her accents changed, but it went beyond that. Her cadence and breath changed giving her the ability to flesh out the show with human characters and not stereotypes. Not only could she do the work of five actors, she made them relatable and real. I felt each one’s emotional journey. The first moment I truly understood her uncanny ability was when she played Henrietta. I found myself watching her face as others were speaking. Her subtle eye movements, facial changes and tiny lip quiver made me feel she was there with the characters. She was listening to them and they were affecting her. I felt her goodness and her faith. I found myself wanting her to feel the same for me, to look at me and understand me the way she understood Dr. Bob. It was magic."
-NoHo Arts District, Samantha Simmonds-Ronceros
"In the challenging position of playing ALL of the other characters, as “Man” and “Woman,” Jack Noonan and Elizabeth Kimball are BEYOND AMAZING!"
-Tolucan Times, Pat Taylor
Betrayal
Of the three leads Kimball performs best, successfully projecting a torn and anxious woman unhappy with her life.
-Stage Raw, Deborah Klugman
Seatbelts Required
The play showcases LA natives, Cynthia Manous (Agnes); Elizabeth Kimball (Janet); and Chelsea Pitillo (Maggie), highly talented actresses with natural chemistry, remarkable range of emotion, and the inherent ability to share the message of how truly precious life is. Quite a powerful performance!
-Tolucan Times, Bonnie Priever
Sylvia
Director Marc Murai takes the work of his extremely talented cast and weaves it around the story with slapstick stealth and pace, allowing Elizabeth Kimball in the title role to show off her astounding physical and vocal comedic skills. She dances and anthropomorphic fine line, making Sylvia the kind of gal that every good dog should be.
-The Tribune, Mark McDougal
